I feel a bit like there is something blocking my view right now. Something that is preventing me from seeing things as they really are. It's a distinct possibility that the fact that I am blissfully disconnected from the world at large may have something to do with it.
I've also kind of hit the wall when it comes to writing lately. But I feel some words coming on.
Dateline
So, what's new since November 6? Well, I've sort of started working again. I got a contract job doing some freelance editing for the same organization my husband works for. I did my first job two weeks ago. It's safe to say things are starting out slowly (which is perfectly fine when you haven't "worked" at all in two years). I put in about nine hours working on the final edits for a monthly e-newsletter and a semi-annual printed newsletter.
I find that I'm very unsure of myself all of a sudden. I'm a good editor. And, at least in my professional life, I'm a good writer. But I felt very insecure at first. Was I catching everything I should? Was I being overzealous? Was I using the right style for the publications? I think deep down, I know that I did a good job, but until I get back into the swing of things, doubt hovers over me like a big fat pigeon just waiting to take a crap as I walk past.
Books
I've been making a conscious effort to spend more of my "free" time reading actual printed material and less of it browsing the various news/entertainment/garbage that I often find myself consumed with on the internet. Since we don't get a newspaper out here in the sticks, nor do we have TV or radio, I kind of rely on web based news and podcasts for my contact with the world at large. But dang, it is SO. FREAKIN'. EASY. to get sucked in my the myriad crap on the web.
Take Facebook: I love it for making it soooo easy to keep in touch with people with whom I might otherwise have little or no contact. It's also brought me together with some people I'd lost touch with and are pleasantly back in my life now (at least virtually). But it is also a TIME SUCKING DEVIL! I have read far more lists of "25 Random Things" in the last few months than I have actual news articles. OK, maybe not more (I don't have that many friends), but I do occasionally feel like my reading time has been disproportionately allocated to Facebook rather that say, the New York Times.
So, in my effort to stop wasting time, because A) I have no one to blame but myself, and B) who the heck has so much time they can waste it?, I've also been trying to minimize the time I spend in front of the computer screen. So far, I've been only marginally successful. I have, however, managed to rearrange my time so that I've gotten a lot more "real" reading in.
I've always been a book lover, but since I had my second child, book time has been much reduced. And when I've had book time, I always feel like I have a hard time focusing on just reading to learn and enjoy. My mind is always half focused on something related to mothering/cooking/cleaning/bill paying/errands, etc. Just when I think I've figured out what the hell Thomas Friedman is talking about, my brain cuts in with crap like: "Oh my gosh, did I pay the electric bill yet? It's due on Wednesday.... do we have milk? What about peanut butter for Nathan's school lunch... and when is his diorama due...?" etc., etc., etc.
Again, here, I'm totally distracted. I can't even write a about a book I read without launching into the realm of domesticity. Sigh.
So, anyway, books. I recently finished reading two books: Seven Days in the Art World, by Sarah Thornton and The Guernsey Literary and Potato Peel Pie Society, by Mary Ann Shaefer (sp?) and Annie Barrows. A friend gave me Guernsey because of the authors' name. :) Good thing too, because I thoroughly enjoyed it but probably wouldn't have otherwise picked it up.
I had bought Seven Days in the Art World based on an "other books you might like" suggestion at Amazon. I bought my mother in law an art book for Christmas and this one came up as a recommendation. I don't usually heed Amazon recommendations, but this one intrigued me. Seven Days in the Art World consists of seven vignettes portraying different elements of the world of contemporary art. Lets see if I can remember them all: the auction, the art fair, the critique, the prize, the studio, the magazine, and the biennial (not in that order). The book as a whole paints broad strokes. Though packed with great detail-- information, facts, gossip-- I still found myself looking for a definite conclusion that tied the elements together. I really wanted the author to suggest some opinion of what it all meant. It was fascinating. I learned a lot about the art world that I didn't know. That's not saying a great deal since I'm not really big into contemporary art and thus, not knowing much about the market, the artists, or the mood, is probably to be expected. I did enjoy the book though.
I really enjoyed the vignette format. As a distracted mommy-reader, I liked that I could get a cohesive picture from the book even though I often had to put it down and return to its days-- if not weeks-- later. The subject matter was also interesting. I loved learning about an art auction. I mean, I can't even begin to imagine a world in which one could, or would, pay several million dollars for a preserved head of a bull (Hirst) or a little round flower with a happy face (Murakami). But it exists! I'm not saying one shouldn't if one is so inclined, but I can't fathom being a part of that world any more than I can fathom being a part of a bullfight or cliff diving.
Likewise, I am always drawn to ethnographic texts. I love immersing my brain, even if just temporarily and from the outside, in a a cultural context removed from my everyday life. The things that impact our culture-- art, music, literature, technology-- impact our lives even if we don't recognize them as we go about our day to day. Maybe I am hopelessly behind the curve, but I wonder how many people carrying Louis Vitton handbags with the classic LV logo in lively pastels realize that they are carrying a piece of Takashi Murakami art? I certainly wouldn't have (not that I knew what a Louis Vitton handbag looked like before I read the book and googled it). But I'm fascinated by the concept that a luxury consumer good can be art and vice versa.
So, I'd recommend the book for sure. But be warned that it's a lot of fact flinging and name dropping without drawing a lot of conclusions. But that's ok; it never hurt anyone to have to come up with their own ideas about something, right?
Now, onto Guernsey. The friend who gave me The Guernsey Literary and Potato Peel Pie Society did so because I share a name with one of the authors. She handed it off with the caveat "It's kind of 'chic lit' but it's not bad."
Well, I passed it along to my parents, all of a half hour after I tore through it in one day, with the exclamation "I can't tell you how enamored I am with this book!"
I won't claim it's high literature or anything particularly intellectually challenging, but it is a truly enjoyable, endearing story with lovely characters and vivid, engrossing descriptive narrative. The characters came alive for me. I read several reviews that felt like the character were all written in more or less the same voice. I didn't find that true, but do agree that, taken together, they are not on the whole all that distinct. However, their likability and liveliness more than made up for it in my reading.
What really grabbed me was the unusual perspective on WWII history. The story on the whole was light, but there are certain passages that evoke the depth of the tragedy of WWII and its aftermath. The novel takes place in post WWII Great Britain, first in London and then the Island of Guernsey in the English Channel. Again, I learned something new: for all the studies of WWII that I did in high school and college, I never learned that the Channel Islands had been occupied by the German military. Intent on eventually invading the English motherland itself, Germany occupied Guernsey for five long, harsh years.
The characters that make up the Society, and their unique stories, bring alive a time of hardship that Americans never knew. And certainly no one in my generation ever has. The Guernsey Literary and Potato Peel Pie Society and the lively characters who created it one dark night during the German occupation, illuminate just how important community is and how it can save the spirit.